During the summer, shortly before embarking on the list with D.B., I had my first exposure to Murakami with The Wind-Up Bird Chronicle. D.B. had been emphatically recommending I read that book for years. After months of false starts, I finally broke through last summer and made it through the entire beast. I was pretty much blown away. While the novel definitely has difficult bits to get through, I find that a lot of my favorite books, plays, movies, albums, etc. require a certain amount of endurance and constitution. As long as there is artistry (as opposed to pure tedium, often the case), I find difficult works cathartic and majestic. Like the secrets they contain come at a cost. I also am a sucker for writers who do "dreamy" well. Extremely rare. Paul Auster and Murakami do it very well. As a reader, I sink into their writing. I think one of the secrets of effective dreamy writing is not random weirdness, but rather following an hidden yet established logic of the dreamworld.
Anyway, my point is this: after Wind-Up Bird, I wanted more. D.B. recommended South of the Border, West of the Sun. While Wind-Up followed one protagonist, the novel is a stack of many storylines. South of the Border is stripped, stripped down. The story is simple: Hajime loses touch with Shimamoto, the love of his life, at 12 years old, grows up, marries, has two kids, opens up a pair of very successful jazz bars. One random, drizzly night, over 20 years after losing touch, Shimamoto walks into the bar looking for Hajime. The story is a melancholic etude on "What If?"
The book feels like light, misty rain. I know the story takes place in Tokyo, but I can't help but imagine L.A. A neon-lit, low-to-the-ground, cheerfully sad place. I also appreciate Murakami taking a more considered and thoughtful take on infidelity. His stance is certainly not pro-affair, but he asks questions regarding hanky-panky. Does the reward ever outweigh the cost? How does a marriage work through infidelity? What reasons beyond love make a marriage worth saving?
RECOMMENDATION? Minor Murakami. If you're new to the author, I would recommend starting elsewhere unless you insist on testing the waters first with this lovely, quietly sad, simple novel (almost a novella). But I'd recommend taking the plunge and starting with The Wind-Up Bird Chronicle.
The Moviegoer is next. Post forthcoming...
-N.C.
The premise is simple: during the sweltering summer of 2010, I stumbled upon the Modern Library's 100 Best Novels list online. I decided that I was going to take a few years and go through the entire dang thing, and to spice up the endeavor, I was going to bring my fiancé along.
D.B. (my fiancé) and I will read books from the list (picked at random) in pairs. Between the pairs, we're allowed an "off-list" book for pleasure.
Let's do this:
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